Ah, "It's Oh So Quiet" — Björk’s gleeful sonic ambush, the musical equivalent of being lured into a meadow by a butterfly and then promptly hit in the face with a glitter cannon. A cover of a 1950s tune? Technically, yes. But once Björk gets hold of it, it becomes something else entirely — a madcap emotional rollercoaster powered by jazz horns, whispered confessions, and outbursts that feel like a cartoon character discovering fireworks for the first time.